escYOUnited
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Denmark doesn't have a group of established artists to pick from, sadly. There is no Allsang culture or anything like it. (That's only for schlagers apparently.) Danish Radio seems kind of ashamed of the Eurovision concept nowadays, and contrary to the 1980's we rarely see well-known artists coming back to compete in consecutive MGP's. It's as if it's bad for your career if you are associated with MGP/Eurovision. Sad.Where is all the big danish artist? (Patrick Dorgan is a exception). Where is the best song Denmark can put out?
Wow it's simply mind-blowing how completely lost track during the past 2-3 years... I wonder what happened.
Are we just ignoring the fact that Only Teardrops was written by Danes? (Satellite was also written by a Dane.)Danmark's Radio decided that Melodi Grand Prix should be a competition for Danish artists and Danish songwriters. That's the biggest change. Denmark has often had a Swedish written song to ensure a decent result at Eurovision - when that solution is gone, the selection becomes more "vulnerable".
Long story short: The person in charge of selecting the songs is ALSO the person in charge of selection what songs get played on the official radio stations. He wishes to streamline DMGP to provide hits he can play on his radio station (yes. this selection is supposed to pass for radio hits. And you thought Michael Kealy was bad at his job), completely ignoring that none of them would be viable in Eurovision, let alone for the radio in ANY other country. It looks corrupt and convoluted because it is.Wow it's simply mind-blowing how completely lost track during the past 2-3 years... I wonder what happened.
I will slightly disagree with you. Denmark is obviously not a music powerhouse like Sweden and UK for instance, but we have a broad range of known and established artist that produce popular music (also outside of Denmark) to choose from. The problem is that the artists is often collaborating with people from Scandinavia, Europe or USA AND as you said, MGP/Eurovision has not the best reputation in the danish music industry. These two things narrows the field of potential artists down. But the potential to do a lot more is still there, when you take the two things i consideration - it is just lazy work from DR and the "danish music scene"Denmark doesn't have a group of established artists to pick from, sadly. There is no Allsang culture or anything like it. (That's only for schlagers apparently.) Danish Radio seems kind of ashamed of the Eurovision concept nowadays, and contrary to the 1980's we rarely see well-known artists coming back to compete in consecutive MGP's. It's as if it's bad for your career if you are associated with MGP/Eurovision. Sad.
Are we just ignoring the fact that Only Teardrops was written by Danes? (Satellite was also written by a Dane.)
I like that the Danish songs represent what Danish music sounds like ATM. Other countries compete with songs that sound like their region, and they have made the finale. Why is it a bad thing when we do it?
Of course, it's more fun if your country is in the finale, but I honestly don't feel like winning is what it's all about. Sure it's exciting when it happens, but it's also simply about being a part of it.
If Tobias and Andreas competed with Stor Mand... That would have been very interesting!I will slightly disagree with you. Denmark is obviously not a music powerhouse like Sweden and UK for instance, but we have a broad range of known and established artist that produce popular music (also outside of Denmark) to choose from. The problem is that the artists is often collaborating with people from Scandinavia, Europe or USA AND as you said, MGP/Eurovision has not the best reputation in the danish music industry. These two things narrows the field of potential artists down. But the potential to do a lot more is still there, when you take the two things i consideration - it is just lazy work from DR and the "danish music scene"
It sure sounds like you think it's a bad thing. So...When did I say it's a bad thing? I'm just saying that without Lise Cabble and Sweden, Denmark's Eurovision achievements in the last 10-15 years would have been much less impressive. It's not like in Norway, Finland or Sweden where they have 4-5 songs that would easily qualify each year.
Year after year, Danmarks Radio emphasized they had high hopes for Denmark at Eurovision. They should have explained it more clearly that they suddenly wanted to change this approach and accept a much bigger risk of not qualifying. As I see it, Denmark might end up as some of the Balkan countries that rarely qualify - unless something is done to improve the input.
It sure sounds like you think it's a bad thing. So...
I think we did pretty well in this past summer's EUFA Cup.With the current level, it's a bad thing. The songs are not strong enough. So something should be done to change it.
But the concept of making it a national championship is great. I just wish that all countries did that. If San Marino go and buy foreign music, and the Danes don't, then the Danes will lose out in the long run. It's like if you have a football club and only use players from your own breeding. It will make it difficult to remain competitive.
But when was the last time someone has won where a part of the composing / texting team was actually a member not from the winning country? We have to go back to 2014 for that! A year before Denmark won the last time. And Denmark btw has also always won with an all-dane-team. I think the fact that so many Swedes being internationally involved in other countries entries = success is a myth as it also doesn't reflect only a tiny bit on good placements. Of course sometimes we have people like Ralph Siegel, Boris Manilov etc. who try out for different countries and find some success but they're also not successful very often.With the current level, it's a bad thing. The songs are not strong enough. So something should be done to change it.
But the concept of making it a national championship is great. I just wish that all countries did that. If San Marino go and buy foreign music, and the Danes don't, then the Danes will lose out in the long run. It's like if you have a football club and only use players from your own breeding. It will make it difficult to remain competitive.
But when was the last time someone has won where a part of the composing / texting team was actually a member not from the winning country? We have to go back to 2014 for that! A year before Denmark won the last time. And Denmark btw has also always won with an all-dane-team. I think the fact that so many Swedes being internationally involved in other countries entries = success is a myth as it also doesn't reflect only a tiny bit on good placements. Of course sometimes we have people like Ralph Siegel, Boris Manilov etc. who try out for different countries and find some success but they're also not successful very often.