ESC United Mod Team
Super Moderator
- Joined
- February 10, 2021
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- 266
That’s crazy cause we love this so called cheap pop songs ala Inna….all my friends loved it too….Eastern Europe hasn't voted for it much...
Bland was exactly what I thought first for Portuguese song. But then the boring feeling came into my mind.Bland is exactly what I thought when I first heard it. I had it as one of my bottom 5 and was surprised at how many people inside the bubble actually liked it, even more so by the amount of points the jury gave this.
My dear, you'll have to find someone a lot more patriotic than me if you're going to attack someone's country's song as a response to a simple opinion.Bland was exactly what I thought first for Portuguese song. But then the boring feeling came into my mind.
Darling I’m not attacking you, I’m just pointing that it is funny how someone from the country with the most sleepy songs in the contest is finding other songs bland. And let’s be honest, Eurovision is not a contest with sophisticated songs. We already heard those melodies, even if the idea is new it can be unserious and even offensive. And then people are going around calling songs bland. This is not a typical ballad with bad English accent, this is a typical pop song performed from a guy with a lot of charisma. Sweden won the contest using this formula many times. He is popular and he will do well post Eurovision, which is the important thing at the end of the day.My dear, you'll have to find someone a lot more patriotic than me if you're going to attack someone's country's song as a response to a simple opinion.
But that's your assumption that I don't treat Portugal's entries the same as others. Either that or you assume I'm the one choosing which songs we're sending to Eurovision. In each case, you'd be wrong.Darling I’m not attacking you, I’m just pointing that it is funny how someone from the country with the most sleepy songs in the contest is finding other songs bland. And let’s be honest, Eurovision is not a contest with sophisticated songs. We already heard those melodies, even if the idea is new it can be unserious and even offensive. And then people are going around calling songs bland. This is not a typical ballad with bad English accent, this is a typical pop song performed from a guy with a lot of charisma. Sweden won the contest using this formula many times. He is popular and he will do well post Eurovision, which is the important thing at the end of the day.
My opinion, CLV is bland and wasn't going to be a smash hit with the televote. I do wonder however if the televote would have been slightly better had a white artist sung it, but I don't have evidence.In a vacuum I have zero issues about people arguing that the Eurovision televote is racially biased against Afro-European performers. However I think people argue this point poorly by bringing up so many examples that I'd argue in large part can be explained by other reasons. Are we pretending that Cesar Sampson doesn't have the stage presence of wet cardboard? Are we pretending that Jeremie Makiese had a song that wasn't horribly dated? That the Maltese examples aren't classic cases of fandom bubble songs?
The case of Claude is yet another example where there are many plausible explanations and I'm not sure what to think. On one hand it was expected, he received such negative reactions for his staging that he had to delete Instagram from his phone, and people have been complaining all season that his song is bland. I happen to agree with all the criticism and think the song got the placement it deserved. But the intensity of the backlash he received may have been amplified due to his race.
I felt the opposite. I felt this song did well for the same reasons why France did so well last year.I do wonder however if the televote would have been slightly better had a white artist sung it, but I don't have evidence.
As I see it, the problem with Deslocado was that the melody was weak (it's as if there hardly is one). There is a clear melody in C'est La Vie, but the problem is that it's so insanely generic.'Deslocado' was particularly boring, as was 'C'est la vie'.
I was simply bringing quantitive facts nothing more. Just as you assuming your own opinions about the stage presence of the performers and the quality of their songs reflect the general opinion on why people don't vote for them. That to me is more of a lazy excuse to easily discard this topic and leave it off the table. As SpiritofKeino pointed out, we cannot say if these entries would've feared better if they were sung by white people. We can just see it as a matter of fact that the general audience judged them much worse than the juries in almost every single case a BPOC competed.In a vacuum I have zero issues about people arguing that the Eurovision televote is racially biased against Afro-European performers. However I think people argue this point poorly by bringing up so many examples that I'd argue in large part can be explained by other reasons. Are we pretending that Cesar Sampson doesn't have the stage presence of wet cardboard? Are we pretending that Jeremie Makiese had a song that wasn't horribly dated? That the Maltese examples aren't classic cases of fandom bubble songs?
I do feel the juries overrated this. The televote didn't shock me as I felt it was mediocre all along. Racism might have played a role but hard to tell as I never felt this was winning material anyway
I do feel the juries overrated this. The televote didn't shock me as I felt it was mediocre all along. Racism might have played a role but hard to tell as I never felt this was winning material anyway