There's already a rule to divide certain groups of countries that tend to vote for each other divided (though some are arbitrarily placed in the groups because they have nowhere else to go), so what do you think of an extension to the rule to also equalize the number of male / female performers?
This year there were only 12 female-led entries out of 31 in the semis. Of course they can't do anything about that, but it means there should have been roughly 6 in each semi, but instead there were only 2 in the first semi, which both qualified, which they probably would have anyway, but Semi 1 really came off as over-stuffed with a certain type of high-energy male performers, which made it really tough for them to get a fair result.
This could be fixed by a simple rule that prevents such unequal allocation - the number of male / female-led entries has to be (almost) the same in both semis, reflecting the overall gender distribution - simply not putting too many of a kind in the same semi. Any ambiguous entries (like mixed duets and bands) could simply go in either semi, they're not the problem.
This idea could also be extended to genres, to some extent - divide groups of entries that are too much like each other, or any 2 really similar entries from being in the same semi at all. For example really slow ballads, traditional ethnic non-english songs, rock bands or jokey/gimmick entries. Basically, whenever this occurs, the producers would decide that two certain entries must not be in the same semi before drawing, something which both of the acts involved would probably agree on benefits them.
For example this year, Australia and Estonia (which was a runaway televote success) was in the same semi, and Australia NQed despite being a favorite for quite a few. Montenegro, Greece and Serbia were in the same semi with songs with very similar appeal (non-english balkan ballads), and two of them NQed. And i won't even go into what happened in Semi 1 in this thread.
So what do you think, should any of this be implemented?
This year there were only 12 female-led entries out of 31 in the semis. Of course they can't do anything about that, but it means there should have been roughly 6 in each semi, but instead there were only 2 in the first semi, which both qualified, which they probably would have anyway, but Semi 1 really came off as over-stuffed with a certain type of high-energy male performers, which made it really tough for them to get a fair result.
This could be fixed by a simple rule that prevents such unequal allocation - the number of male / female-led entries has to be (almost) the same in both semis, reflecting the overall gender distribution - simply not putting too many of a kind in the same semi. Any ambiguous entries (like mixed duets and bands) could simply go in either semi, they're not the problem.
This idea could also be extended to genres, to some extent - divide groups of entries that are too much like each other, or any 2 really similar entries from being in the same semi at all. For example really slow ballads, traditional ethnic non-english songs, rock bands or jokey/gimmick entries. Basically, whenever this occurs, the producers would decide that two certain entries must not be in the same semi before drawing, something which both of the acts involved would probably agree on benefits them.
For example this year, Australia and Estonia (which was a runaway televote success) was in the same semi, and Australia NQed despite being a favorite for quite a few. Montenegro, Greece and Serbia were in the same semi with songs with very similar appeal (non-english balkan ballads), and two of them NQed. And i won't even go into what happened in Semi 1 in this thread.
So what do you think, should any of this be implemented?