theditz83
Veteran
I'm curious to know which entries are your biggest growers of this year - the ones that you either didn't enjoy and now have found yourself liking them more and more or perhaps even the ones that you completely slept on and dismissed and are just properly discovering their charms now?
For me, the biggest growers are:
I'll be honest - the hastily arranged NF just seemed very odd and I didn't really pay much attention to the songs since I was probably a little bitter that Little Big weren't returning. However, Manizha definitely appears to have been the best option, and after looping this in the Semi 1 playlist over the past few days, the instrumental elements and the anthemic chorus have really dug their way into my brain to the point where I now think this will qualify fairly easily now. A great traditional entry from Russia
I was never Think About Things' biggest fan last year - it seemed too try-hard, like it was desperate to be considered cool but it came off to me as being a little over-hyped. However, while 10 Years is in very much the same vein, the production (in particular the bass and awesome synth solo) just engages me so much more now. So in terms of the studio cuts, I'm fully in - live, the performance does still annoy me, but not to the same degree as last year.
For me, the biggest growers are:
I'll be honest - the hastily arranged NF just seemed very odd and I didn't really pay much attention to the songs since I was probably a little bitter that Little Big weren't returning. However, Manizha definitely appears to have been the best option, and after looping this in the Semi 1 playlist over the past few days, the instrumental elements and the anthemic chorus have really dug their way into my brain to the point where I now think this will qualify fairly easily now. A great traditional entry from Russia
I was never Think About Things' biggest fan last year - it seemed too try-hard, like it was desperate to be considered cool but it came off to me as being a little over-hyped. However, while 10 Years is in very much the same vein, the production (in particular the bass and awesome synth solo) just engages me so much more now. So in terms of the studio cuts, I'm fully in - live, the performance does still annoy me, but not to the same degree as last year.