SOOOOO... it's finally that time of year.
Approved category :
1) Fulenn is what I think we'd need right now >>>>>>> but I fear the live performance will be a trainwreck. Too bad because it's an addictive and refreshing effort. Girls need to get their vocals together and the stage has to be psychedelic for the energy to show through (use the Gwenn ha du motifs for the backdrops! Make the spolights pop!). Finally a song I would genuinely support. I expect Bretons to vote for them like crazy - as they should. Partly coming from Brittany myself, I am tempted to do so too.
2) Nuit Pauline would be my second choice. I don't think it rides the Luciani/Armanet revival wave that much tbh, as it sounds like a more genuine vintage 80's goldie to me. Love the harp, it's catchy and melodious, the woman's voice is nice and she can hold her tune. And most of all it does not seem to try to be more than it is. A piece of candy that gets my stamp of approval.
3) I'll complete my top 3 with
Les Chansons d'Amour: yes, the lyrics are more corny than not, it's a ballad that does not reinvent the wheel at all, BUT I think it's got a charm melodically and interpretation-wise. If Marius can pull it off live, I'd rather we sent him than the rest of the Frenchy French entries of the lineup.
Okay category
4) La Tempête : The song is fine actually, cute is the word. I wish the guy had a less light voice though. And a bit too Gjon's Tears for me to get fully behind it.
Decent-ish, but I'd rather not
5) Il est où? : One of the better-crafted Frenchy French songs, but I hope we don't send something like this. Not my style.
6) Téléphone : I would not mind it... as an instrumental. Nice vibe, but the chorus is weak, and so are the vocals. And these lyrics...
7) Navigateure : Minus points for choosing a word that does not exist as a title. The verses are quite effective and catchy, but the chorus is a let down. Overall, it sounds cheap and unfinished. And Joanna's vocals are not it.
Um...
8) Madame : Pravi somehow inspired other clichés. Neither good nor bad. Girl's charisma is nowhere to be seen.
A no-no
9) Seule : a random x-factor/sia-esque kind of song. I can live without it.
10) Paris Mon Amour : classical jazz from the Golden era is a genre I'd like to hear at Eurovision, but this is not it. I am not sure what this effort is trying to achieve. Vocals are irritating and it's really outdated.
11) Chut : Not sure what is the point there. Forgettable.
12) Ma famille : bland. And it tries to channel the hook of Goldman's "A Nos Actes Manqués", but the comparison ends there.
To sum up :
Either Alvan et Ahez pull themselves together, win, and it would be quite the thrill as far as I'm concerned, because it's out of the box. OR we settle for a more conventional entry (namely Les Chansons D'amour) to secure a decent appearance in Turin (guess La Tempête might have a chance too). OR we just get something random for the sake of it.
As usual in our country, I don't think the choice will be that difficult in the end because we are the polar opposite of Albania : natural selection will happen because more often than not, our contestants can't sing, so the one who will get two notes right in a row will probably take it. Studio versions are not to be taken for granted.
With that being said, I'm pretty satisfied with having three songs I do enjoy and could potentially hit my top 10. And it would feel nice, the last time it happened was in 2011 with "Sognu"...
Good to see Boccolini back as host. She was hilarious last year.
I'll make sure to tune in on 5 March.