The Portuguese broadcaster RTP has revealed the full song lineup for Festival da Canção 2025.
The songs were announced on January 23 during an Instagram livestream hosted by RTP. Semi-Final allocation for competing entries took place in December:
Semi-Final 1:
- Bluay – “Ninguém” (written by Bluay)
- Capital da Bulgária – “Lisboa” (written by Capital da Bulgária)
- Du Nothin – Sobre Nós (written by Jorge Ferreira, Beato)
- Jéssica Pina – “Calafrio” (written by Jéssica Pina)
- JOSH – “Tristeza” (written by JOSH)
- Marco Rodrigues – “A Minha Casa” (written by Tiago Machado, Marco Rodrigues)
- Margarida Campelo – “Eu sei que o amor” (written by Margarida Campelo)
- Peculiar – “Adamastor” (written by Peculiar)
- Rita Sampaio – “Voltas” (written by Rita Sampaio, Tiago Sampaio)
- Xico Gaiato – “Ai Senhor!” (written by Xico Gaiato)
Semi-Final 2:
- A Cantadeira – “Responso à Mulher” (written by Joana Negrao)
- bombazine – “Apago tudo” (written by Filipe Andrade, Manuel Figueiredo, Manuel Granate, Manuel Protásio, Vasco Granate)
- emmy Curl – “Rapsódia da Paz” (written by Emmy Curl)
- Diana Vilarinho – “Cotovia” (written by Joana Alegre, Diana Vilarinho and Ricardo Ribeiro)
- Fernando Daniel – “Medo” (written by Fernando Daniel, Diana Lima)
- HENKA – “I Wanna Destroy U” (written by Cat Pereira, Jon Cassidy, Mirza Radonjica, Meyrick de la Fuente)
- Inês Marques Lucas – “Quantos Queres” (written by Inês Marques Lucas)
- Luca Argel feat. Pri Azevedo – “Quem foi?” (written by Luca Argel)
- NAPA – “Deslocado” (written by João Guilherme Gomes, João Lourenço Gomes, João Rodrigues,Diogo Góis, Francisco Sousa, André Santos)
- TOTA – “á-tê-xis” (written by EU.CLIDES and TOTA)
The songs are also available to stream on Spotify.
Festival da Canção 2025 will take place on the following schedule:
- Semi-Final 1: Saturday, February 22
- Semi-Final 2: Saturday, March 1
- Final: Saturday, March 8
Who are #YOU most looking forward to seeing at Festival da Canção this year? Let us know on social media (@escunited), on Discord or at our forum.
